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P A R T I : you.


Name: Filigree Ingrid.

Website: http://www.lotus-eater.org/

E-Mail: filigree.ingrid@gmail.com

 

P A R T II : civilian information.


Civilian Name: Takenouchi Mitsuko (). The nickname used by friends and family is Mitsu. Her private nickname is Miiko.

Name Meaning: Slightly elaborated, "Child of Light Within the Bamboo."

  • Mitsuko (), light-child.
  • Takenouchi (), within bamboo.

It is an unsubtle reference to The Tale of the Bamboo-Cutter, or Taketori Monogatari, and the character of Kaguya-hime.

  • Mitsu (), honey.
Her nickname is a pun referencing her hair color.

Gender: Female.

Age: 18 years old.

Birthday: 29 August.

Astrology Sign: Sun in Virgo, moon in Cancer, with rising Pisces.

Blood Type: Rh positive O.


Likes:
heart bulletFads -- Mitsuko loves to try new things, and if it's a fad, that means it's semi-new and she wants to try it. Right now. She doesn't mind being part of the crowd, in fact she prefers it. If it's a trend, then it's probably not objectionable. (Yes, if everyone was jumping off a bridge, she would seriously consider it. After all, they would have to have a good reason, right?) So when she tries it, no one will hassle her for being too different. Furthermore, things made popular by a fad are easily accessed. To use an example that applies to the U.S. and maybe Japan, a few years ago it was difficult to find high-quality yarns. With the recent knitting boom, even small towns may have a store that sells high-quality yarns and knitting supplies. Someone who wished to learn how to knit without knowing someone usually had trouble doing so, but not so much now. Which is the exact reason Mitsuko enjoys being a fad whore. She doesn't want to hunt people or stores down, and make herself feel generally overt. Even if she isn't into a particular trend, she'll try it anyways. She is a firm believer of not knocking it until you try it. ... I know, she's so Japanese. And a bit Swedish. The nail that sticks up will be hammered down!

heart bulletBallet -- It's one of the few instances she might try to plan in advance in order to attend. Mitsuko loves the dances, the stories (especially the stories, they're so romantic), the costumes, the dancers, everything about ballets. She admires how much effort the dancers put into their work, and how beautiful the results are. Ballet is a rare instance of focus for Mitsuko; she has books and videos on ballet and its technique. It took her a few years to understand all the pantomime as well. Although, because ballet does not have epic popularity in Japan, it can be hard to find performances. But she doesn't mind too much, since she is pretty terrible at remembering to save money for the tickets. Mitsuko also enjoys the formality of it all. She wears some of her nicest clothes, even wearing a bit of (gasp) make up. Sometimes, when she's lucky, her parents and sister will come with. They aren't as excited, but it's pretty hard to top Mitsuko's fizzy trepidation. She rarely gets to spend time with her entire family together anymore, so they could be sleeping through the performance and she could be happy.

heart bulletLaundry -- The only chore Mitsuko will do willingly. (This is a remarkable thing, a few levels under "pig's flying.") There is a methodicalness to laundry that she can and does appreciate, sorting, in particular. She prides herself on only needing to know what the garment is made of to know the instructions for care, which she follows to the letter. And of course, you can pretty much abandon it between some steps, particularly while it's in the dryer. In the Takenouchi household, there's always laundry in some stage of the process. Mitsuko usually starts a load to wash right after she wakes up in the morning, and it's ready for the dryer before she goes to school. Their dryer is old and slow, so letting it run while she's at school is not a bad idea. Then when she gets home, after a quick second run to warm up the clothes again, they're ready for her favorite part: folding. Mitsuko loves folding warm, fresh laundry. It takes her longer than most to fold just because she tends to snuggle fluffy items like sweaters and blankets, and/or huff the fresh-smelling fabric. She folds everything evenly, so they stack neatly inside drawers. (If you've seen that Japanese folding video, she can do that. She practiced for hours.) Fitted sheets are no match for her, she can fold those too. The only thing she dislikes about laundry is hanging delicates. She knows it's not unusual to hang them outside, but she can't help but feel embarrassed. She's probably convinced that the neighbors disapprove of her lingerie. White means she's a prude, but colors mean she's a loose woman, etc., etc.

heart bulletManicures -- Some people really like having their hair done, or getting a facial; Mitsuko loves getting a manicure. It's the ultimate treat after a long hard day of crime-fighting and saving the world from destruction (again). She is, to many people's surprise, passable at caring for her own nails. She can paint her own nails without accidents such as a huge nail polish stain in the carpet. She isn't as perfect as a manicurist, but good enough to not look like a small child did it. (Although, I do not doubt that Chibimoon has gotten to try.) Mitsuko also has special creams for her hands and cuticles. But that's not the point, in the end, of getting a manicure. Humans are still an animal, and they like to be groomed and petting. Mitsuko loves being groomed and petted. It helps her release stress, especially because her manicurist is a charming, talkative woman. (Her name is Sayuri, Mitsuko admires her vastly. Sayuri is Mitsuko's goal in being a good person. Which shows you that Mitsuko has set kind of low standards for herself, if she thinks the best job she could ever have is being a nail tech.) So by the end of a session, not only does she has pretty hands, she's gotten to tell someone about any social problems she's having, even if it's slightly indirect. Somehow saying, "So my boyfriend is dead, again," wouldn't exactly go over well with anyone.

heart bulletMooncakes -- So delicious, but so expensive, not to mention, oh the irony. Neither she nor her family is Chinese, but she likes the festival, especially since she secretly pretends its her special day. Plus the stories of Chang'e are fascinating. She sympathizes with being stuck on the moon, and being a little too curious. But I digress. Mitsuko is a regular mooncake expert. She knows exactly who sells what kind in Tokyo, and which are the best. She prefers the traditional, Cantonese-style kind, as she is not huge on jelly. Having a fine tea to drink with it just makes things better. The eating mooncake is one of the few times Mitsuko feels like she can remember the Silver Millennium without having a sob fest, too.

heart bulletMisc. Likes -- Music boxes, Hong Kong cinema, hardcover books with deckle edges, sea glass, festivals. misogi.

Dislikes:
heart bulletHer Appearance -- Ever since she was a small child, Mitsuko has known that she was different from the other children. The adults always paid more positive attention to her, although her peers had mixed reactions. As she grew older, those reactions grew stronger. Many of her peers seemed to like or dislike her for reasons she didn't understand. Eventually, she made herself think it over. This was a long process, and involved many lists of her traits and deep thought, which Mitsuko does not excel at. Then one day, she looked in the mirror. Not the way she usually did, which was the kind of looking people do when they're trying to see if their hair is not trying to commit mutiny. She really, honestly looked. And that's when she realized that she looked different. She looked more like a model in a magazine or a porcelain doll, than a real person. She couldn't even say the word "beautiful" to herself, it was too... she didn't know, but it made her unhappy. But there was little she could do about it, but at least she knew. (Cutting up her face was just not an option, as she is moderately sane.) Being pretty reminded her that society wasn't about fairness, and that just upset her poor little idealistic heart. Strangers were nicer to her, she often got free stuff. Being embarrassed just made it worse, since people thought her humility was charming and refreshing. Thankfully, she now can delicately cue one of her friends to step in and tell people to shove off. Although, she sometimes dreams of having the courage to do it herself. The worst part of disliking her own appearance is she knows it's incredibly selfish and bratty. She could have it so much worse. If she was ugly, she'd be so much unhappier. But it doesn't stop her from making a sad face in her head every time the boy at the bakery slips an extra bun into her order. She would rather be valued for what she can do, than what she looks like. (Mitsuko: The Emotastic Blonde Girl.)

heart bulletNumbers -- Mitsuko doesn't dislike numbers as much as she is frightened and almost sickened with anxiety about them. Addition is excruciating, subtraction is difficult, multiplication nearly brings her to tears and she won't even touch division. She has to carry around a calculator whenever she goes shopping, and she still has trouble getting it right. Math assignments almost always are ignored, unless she can get someone (hi, Izumi) to walk her through them. Her mom threw whatever answer she could come up with at the problem, in a very distracted fashion. She's hired tutors, but they gave up on her when they found Mitsuko couldn't even do her multiplication tables and confused the different signs. What Mitsuko doesn't know is she has undiagnosed dyscalculia. Dyscalculia is a learning disability involving difficulty in learning or comprehending mathematics. In Mitsuko's case it's genetic, courtesy of her great-grandfather. However, compared to dyslexia, it's fairly uncommon, which is why no one has realized she has it. If someone did diagnose her, a new side of Mitsuko would be revealed. A very unhappy one, who wants to write letters to all her teachers. Not that she would, but she would want to. Very badly.

heart bulletEarthquakes -- Although, Mitsuko's fear of numbers pales in comparison to how absolutely terrified she is of earthquakes. Zombies banging at your front door, blood oozing from under your bed, axe-murderer coming right at you terrified. (When it comes to emotional versus rational in Mitsuko, emotional wins. Nine times.) She's never even been hurt, but Mitsuko is phobic nonetheless. She panics during an earthquake, her mind freezes up and her feet with it. Not a good thing, since she could be in harm's way. Sometimes she screams endlessly, sometimes she doesn't. Usually the worse the quake, the quieter she is. Mitsuko is, gently put, a gibbering mess until the quake is over, and then she just sobs for a while. The only time she cries more is after big battles with whomever wants her dead recently, which tells you how scary earthquakes are for the little idiot. Generally whichever friend is closest gets clung to for very, very long time, until she is sure the ground under her feet will stay put for a while. She also likes having a sleep-over after a quake, so she can be comforted even longer.

heart bulletRoses -- It's not an iconoclastic thing, promise. Not until Mitsuko hit her teens did she really start to dislike roses. Before, she didn't really care. Her family didn't have a garden, and her father never brought flowers home to her mother. Just receiving flowers in general was pretty awesome. But as she approached dating age, roses would appear in her locker, usually with a love note. Sometimes the boy would be brave enough to give the rose himself. As flattered as Mitsuko was, she couldn't help be more than slightly irritated. These boys hardly knew her, some had to only know her by name and appearance. (Unless they stalked her, and she wasn't willing to entertain that line of thought, thank you very much.) And yet they thought it was enough to give her red roses? That her name and attractiveness was all they needed to love her? It was beyond ridiculous. After a couple years, Mitsuko could hardly stand roses. She doesn't mean to be so contrary or spiteful. To make herself feel less like a jerk, she did research at flower shops to find out what flowers she did like. Turned out she likes violets best, although they are hard to get in any form other than potted. If she hadn't met Endymion, she probably would have married the first boy who asked her what flowers she liked. Sad, unrealistically romantic, but true.

heart bulletMisc. Dislikes -- Fake tans, rock concerts, crabs, hair curlers, White Day, medicine, alarm clocks, barnacles, sumo, cloudy nights.

Hobbies:
heart bulletMaking Small Gifts -- Mitsuko would never admit it, but she is rather deft with her hands. She knows how to make many things: kusudama, temari, small stuffed toys (both cloth and amigurumi), kumihimo rope, dreamcatchers*, origami stars and cranes, kanzashi barrettes, worry dolls*, cloth covered boxes, polymer clay cellphone and briefcase fobs, etc. All rather useless, to be honest, except as dust catchers. She usually teaches herself, with books and the aid of the interwebs, although when it's become a fad enough to have easily accessed classes, she'll go to those too. Because she knows quite a few crafts, she tends to learn new ones fairly quickly. Although, she rarely practices enough to be a master of any. (Self-esteem issues rear their ugly head. Mitsuko thinks she isn't clever enough to master a craft.) Once she learns a new craft, she makes a few practice pieces before making one as a gift, and the practice pieces are the only ones she keeps. She never makes anything for herself. On average, she makes one to two gifts a week, sometimes more, sometimes less. There's never any occasion for it, she just always makes little items for her friends. She feels that it is the best way to show her appreciation. Endymion probably has received enough tiny useless gifts to please any hoard of high school students. She tries not to make things too girly, such as amigurumi dolls are fairly absent. But origami, kusudama, temari and kumikimo cord are fair game and frequently presented to him.
* Mitsuko's mom, Wakana, is a professor of Ainu studies who's research has taken her into the US.

heart bulletTelling Stories -- Although normally reluctant to be the center of attention, Mitsuko makes a special exception for story-telling. This is because it's not about her as much as what she is saying, which is the story, and not her. (This is an acceptable difference. If someone accused her of being an attention whore for telling stories, she would never tell stories again.) She's rather good, considering she has had no formal training. She knows how to get involved into the story, adding little details and asides to make it more enjoyable, more real. Children are her preferred audience (which is to say, her only audience), since they are less critical about the story than adults. Particularly because she prefers to tell fairy tales, both Japanese and Occidental. Most of her peers don't really want to hear Beauty and the Beast, no matter how well it is told. Mitsuko is also just as happy to hear stories, including just novels read aloud. (If you bother to do voices, she loves and adores you forever and ever.)

heart bulletLearning How to Play Piano -- Note the learning, not the actual doing. Mitsuko has been trying for years to learn to play the piano. But she runs into a few problems: one is her hands are too small to play easily, another is that many people with dyscalculia, Mitsuko included, have trouble reading sheet music. Her sister plays, very well in all honesty, and Mitsuko is nothing short of jealous. She wants to make music too, and singing is too overt and embarrassing to her. So, on and off, she tries to teach herself the piano. She isn't a horrible as she thinks she is, since she's certainly progressed beyond 'Hot Cross Buns'. (Which is just as well, she started learning when she was fourteen.) But because she has to basically memorize the music in order to play it, it's a mind-numbingly slow process. It doesn't help that she has the attention span of a very small child.

heart bulletWatching Japanese Game Shows -- Takeshi's Castle, Sasuke/Kunoichi, Unbeatable Bansuke, she doesn't just like them, she obsesses over them. She will run home in the middle of a shopping trip just to watch Sasuke. (Thankfully that isn't daily.) And in all reality, she probably shouldn't. Every slip, every failure, breaks her little over-involved heart. She worries terribly that they will hurt themselves. Mitsuko gasps, cries, clings to a pillow and wails when the contestants are disqualified. It's unreasonable, but she wants everyone to win. Of course, it wouldn't be a very good show if they did. When they do succeed, she laughs, cheers and claps. All at the television screen. She could never attend a live show, she would be too embarrassed. It's hard enough when her dad's at home and she has to try and be quiet.

Goals: What does your character want to accomplish in life?
Mitsuko needs to be alive in order to accomplish anything in life, but had you asked her when she was alive, she would say she wants to marry (Endymion, of course) and have a family. (When she is ready for it.) Oddly, not a thought about becoming Queen of the entire world ever enters into it. She hopes she can have a "proper" job when she marries Endymion, even if it's being an OL. Going to college or university is a pipe dream, she simply does not have the grades for it.


Good Points:
heart bulletSerene Surface -- Although enthusiastic, Mitsuko appears completely and utterly unworried by anything and everything. Sure, she show appropriate concern, but she doesn't seem to be anxious or troubled. This, of course, is a very delicate and clever ruse. Mitsuko is easily worried, especially when it comes to her friends. (Easily worried as in, "Tamaki develops a slight cough and suddenly a box with eight different cold remedies shows up on her doorstep the next day.") But she believes that showing worry does no good, it usually just stirs up more worry and that doesn't really help. So she has carefully developed a mask to hide her anxieties. It is an old and solid mask, she crafted it with skill. It takes a truly gifted person to see past it, and only in brief moments will there even be a crack. Mitsuko keeps this mask up with even more vigilance around her friends, because they have enough on their shoulders protecting her. She thinks that sharing her personal worries would be burdening them even more.

heart bulletImmunity -- Mitsuko is one of those endlessly frustrating people who do not get sick. Ever. (And, yes, she does pout if she is told she's too dumb to catch a cold!) Her immune system is working properly and seems to fend off everything. If the enemy is spreading around some nasty flu? She's okay. In fact, she's usually taking care of everyone else in her household, since they do not have the immune system of awesome she does. Mitsuko has no idea how fortunate she is, and only notices when she's fighting a really nasty cold bug, and might need a nap. Just one nap, and she's good.

heart bulletLight of Trust -- Mitsuko has complete and utter trust in her friends. She believes they would never her do her any ill, and always make decisions with the right intentions. That, basically, they can do no wrong. Even if they did "wrong", they didn't mean to, or it just looks like it's wrong, but really it's the right decision. This makes things very difficult when her friends have been brainwashed, as she wants to trust them, so badly.

heart bulletReach Out -- Mitsuko is unafraid to ask for help. No pride, no ego, no fear of shame gets in the way. She knows when she needs help, and she will ask for it, even from strangers. Because she doesn't have a big ego, she doesn't mind acknowledging that someone is better than she is at something. Although it can cause her to look needy and helpless, she also doesn't bite off more than she can chew, or get herself into shoes she can't fill.

heart bulletSocial Orchestrator -- Put Mitsuko in a room filled with people who absolutely despise each other, and within the hour, she would have them playing nicely. Fortunately, she's rarely put in such extreme situations. Instead she usually manages "attention focus" in groups of friends and conversations. What she does is make sure everyone is involved in the conversation, and that the topic of discussion is something everyone can join in on. She has always hated feeling left out of the conversation, so she wants to make sure that no one feels the same. She's also good at sensing when someone might want to leave the group, and finding a way to excuse them without making them feel unwanted or obvious.

Flaws:
heart bulletLeaps First, Looks Second -- Just as it says, Mitsuko tends to make rash decisions without thinking them through. She does whatever seems like a good idea at the time, but rarely considers the consequences. As a result, she tends to be rather surprised at most consequences, particularly ill ones. She believes that because she makes all her decisions with good intentions, they will be carried through to the end. This is not true, sadly. Matters can be compounded by further poorly considered decisions trying to rectify any problems. On a different note, Mitsuko doesn't intentionally put herself in danger. She doesn't say to herself, "I SHALL GO RESCUE THAT KITTY SITTING IN THE PATH OF THE SPEEDING CAR THAT COULD POTENTIALLY KILL ME." Instead, it's more of a, "OMG KITTY." But it is always out of an eagerness to help out. This wouldn't be so badly received if she weren't, you know, the Moon Princess and all.

heart bulletDirectionless-- It's important to notice that Mitsuko's not lazy, it's simply that her energies are poorly directed. Which is to say, barely directed at all. She doesn't plan, as aforementioned. Scheduling out her day so that she can get in the maximum amount of anything never happens. She is terrible at pacing herself, tending to give her all or nothing. She doesn't entirely resist being directed, provided there's nothing else she really wants to do at the moment. But she has more than a few difficulties mitigating what she wants to do, with what she needs to do. Numerous factors contribute to this, as she feels overburdened by what she needs to do, which makes what she wants to do ever more appealing.

This flaw is a double-entendre, because Mitsuko is like the second coming of Hibiki Ryouga. She gets lost very easily, and even knowing the cardinal directions does her little good. She isn't hopeless, because she does get to and from school without trouble. Finding new places is very difficult, however. She usually carried maps, and makes people giving her directions chart out a specific course. Mitsuko does have a new love for GPS on her cellphone, because it makes her life so much easier.

heart bulletFritterer -- Mitsuko is especially poor at managing money. She rarely blows her allowance all in one go, but rather spends it in small portions. In a week, she'll buy maybe a ball of yarn, tea at a cafe a couple times, tokens for the arcade, new lipstick for her sister, a romance novel, etc. None of these things cost very much, but she still ends up with an empty wallet at the end of the week, and maybe in debt to a friend. Mitsuko is usually surprised to find she's spent all her money too, not just because of her dyscalculia, but because if she spends under 400´, she doesn't really consider it a purchase. But, there is hope, she can save money; she just has to hide it from herself. Mitsuko usually finds money she hid from herself one to two years later, depending on where she stashed it. ... Then she usually spends it.

heart bulletShadow of Doubt -- For every ounce of trust she has for her friends and lover, she has an ounce and a half of doubt in herself. She has no idea what she is doing most of the time, because she so rarely looks forward, and never with confidence. She sees herself as paling in comparison to these great people. After all, she was princess by chance of birth. It could have easily been someone else. That doesn't mean she doesn't have obligations as a princess and senshi, but she wishes she had been chosen. If she had been chosen on merit of... anything that was individually her, it would help immensely with her self-esteem. However, this is not nor ever will be true, and she has learned to live with it.

heart bulletDefeatist -- Being blonde, very pretty and not terribly good at schoolwork, Mitsuko is frequently labeled as a dumb blonde. Unfortunately, she does little to assert otherwise. She believes she's doomed when it comes to her grades, and so she rarely studies or spends more time on her homework than she has to. She also tends to avoid intellectual topics, as she feels she doesn't have much to say on them. When caught in a corner, she tends to say the obvious, or repeat what has been said. She'll basically do anything she can not to say overtly stupid, which is usually just evacuating the conversation. This just perpetuates the dumb blonde stereotype. It doesn't help that her own family believes that Mitsuko is not much more than a pretty face. Both her parents have doctorates, and her sister is working on earning one as well. All three don't expect her to even get into a university. Mitsuko never says as much, but she believes the same.

Personality:
Mitsuko is, in a word, welcoming. She treats everyone she meets, everyone she talks to, like an invited guest in her home. She greets people with open arms, lacking in prejudice or apprehension. She manages to be friendly without invasive or pushy, mostly by being interested by what people have to say or do. And she is honestly interested; Mitsuko believes that every one deserves to be heard. Fortunately she never comes off as politely interested, but earnestly so. She is less forthcoming when it comes to speaking about herself, but not so much she comes off as shy. It simply doesn't occur to Mitsuko to volunteer stories or information without being asked. As for information about other people, she is also good at remembering faces and names, as well as hobbies, family and friends. So even people she has a passing acquaintance with feel important.

Not too surprisingly, Mitsuko is also an excellent hostess. She's not a social butterfly in any sense of the word, but when someone actually does visit her home, she always makes time for them. Her hostessing style echoes that of Southern American hospitality, if she knew anything of it. (Although Mitsuko is not outgoing enough to be a truly proper Southern Belle.) Any guest is offered a seat, then food and drink as well as conversation, even if they're just passing by. She's also been known to invite people to spend the night whenever she thinks it's too late for he or she to walk home safely, or if they are just too tired. Mitsuko easily walks the line of being attentive without making the guest feel intrusive or waited upon.

Besides just naturally liking people, Mitsuko has the added benefit of social intelligence as well as a natural intuition when it comes to reading other people and their emotions. Although she is no social butterfly, Mitsuko seems to lack awkwardness in almost any situation. She's best when she isn't at center stage, but rather as a guide. She is very good at making sure everyone is involved in the conversation, as well as steering the dialog. This doesn't mean just avoiding sensitive subjects, but subjects that may leave someone out of the interaction as well. When things do get out of hand, she can help return it to a neutral ground. Because of their subtlety, her social skills are rarely noted or appreciated, but Mitsuko has very little idea of how unique they are in the first place.

By no means is Mitsuko perfect, however. Mitsuko tends more towards emotional than stable or serene. Her moods aren't quite as tempered as most people's, because she isn't as inclined to rationalize with past experiences, or future outcomes. Fortunately, her ability to appear calmer than she really is helps her out considerably. She may be ready to break down sobbing hysterically, but she won't actually do so until she is in private. What the public sees is slightly watery eyes and a trembling lip, and of course, a strong desire to get out of the situation. The longer she has to consciously maintain an unruffled projection, the more she crumbles when she has the chance. She has yet to really, truly breakdown in public, but that does not mean she never could.

Furthermore, she is very sensitive to other people's moods, and intuitive when it comes to the reason why they're experiencing such emotions. But because she's so sensitive and aware, she empathizes easily. Too easily, to be honest. She is fully capable of sympathizing with a murderer, were the circumstances right. Obviously this isn't all sympathy. Mitsuko trusts easily as well. She can't really help it, she's has a great deal of faith that most people mean no harm. This makes her a fabulous target for scam artists, although she's been pretty lucky so far. But to give Mitsuko knows she trusts too easily, that she's too sympathetic and emotional, although she's been able to do little about it. She wishes she could be more emotionally detached, but doesn't know how to go about it. Her knowledge of her flaws helps her somewhat, for example, she can be hurt by the smallest actions or words. But she also forgives quickly, usually after a tearful night. Her forgiveness is not only extended to small slights, but huge blunders as well. Due to her aforementioned faith in humanity, she is always willing to believe that someone can be better, and past grudges shouldn't hold them back.

If anything at all could be said about Mitsuko, it would be that she lives in the moment, and for the moment. She never looks far ahead, for she never knows what's coming, and looking behind will only make her trip. One almost thinks Mitsuko is carefree, the way she goes whatever fancy takes her, heedless of the results. When she wants to learn how to crochet amigurumi dolls, she goes out and finds a book and the supplies, and darn well learns how to make them. If she wants to visit the new bakery, she'll go do that too. (Unless it is closed, then she's a bit frustrated.) This is partially because, if she puts things off, and tries to plan them, she tends to forget about them, and regrets never doing it later, when it's too late. As a result, she rarely does her homework, and tends to neglect her chores as well. Things that are constant tend to be shoved to the wayside. She would much rather regret not doing her chores, than regret not going for a picnic on a beautiful, sunny day.

One of the reasons why she can go out and do things so easily is that because she lives in the moment, she is also unafraid of it. The present is transient. A moment will pass, she can either seize it or let it by. Past experiences do not easily mar potential new ones, with the exception of school, and school took many, many years of unpleasantness to have a solid, permanent effect. With this particularly specialized bravery, Mitsuko's always up for new and interesting people and things, especially at the last moment. Naturally, this does not include "XTREME FERRET LEGGING", but rather things like new amusement parks, or trying a new craft that's recently come into vogue. Basically, she is unafraid of failure. She can always try again, and next time she'll bring her awesome buddies. She will reappear in force and you cannot stop her. If it was a particularly unpleasant experience, then she just avoids it. She doesn't linger or angst about it, instead she seeks more fun memories to overwhelm any bad ones.

Mitsuko seems to have completely neglected the basic skill of planning ahead. She gets so caught up in what she wishes to do at the time, and how she is going to do it, troubles or consequences seem to hardly enter into things at all. Mitsuko frequently forgets to bring her purse when she goes shopping, or doesn't think to bring an umbrella, even in the sky is clouded over. But neither is she terribly upset when it starts to rain, unless she is caught somewhere without any cover at all. Yes, she always tells herself to think more next time, but she rarely does. Instead, she tends to depend on the kindness of others to get her out of a pinch. Someone will lend her a newspaper to protect against some rain so she may get home, or one of her friends will lend her the 500´ for the new cellphone fob. (She always pays them back.) Subconsciously, she believes that there will always be someone to help her when she stumbles. And up until now, there always has been.

Although she is a gentle soul, it doesn't mean Mitsuko will take gladly abuse from anyone. What plagues her most is the "dumb blonde" stereotype, which is all too easily and frequently applied to her. People see her hair color, followed by poor grades, lack of coordination in sports, and absence of overt artistic or music talent, and then they stop looking. Being exceptionally attractive doesn't help matters, either. They don't see how well she navigate a tricky situation caused by a misunderstanding between friends, or how she senses a sensitive topic and delicately steers the conversation away from it. These are not measurable traits, they can't be quantified like tests aced, goals scored, pictures drawn and songs sung can be. And that's what people notice, the absence of tangible accomplishment. And because she's a dumb blonde, they often feel that it's their duty to inform Mitsuko of her shortcomings. After all, she's too stupid to realize how far behind she is. Because of her low self-esteem, Mitsuko starts to believe it, too. When it comes to herself, and her own accomplishments, she is quite defeatist. Years of poor grades have done the most damaged, particularly in her academic household. Even if her dyscalculia would be diagnosed, the damage is done. Mitsuko simply does not believe she is capable of doing well in school, so she just doesn't try anymore.

When someone actually tries to browbeat or bully her, Mitsuko relies on non-aggressive strategies to stop it. She rarely loses her temper, because she knows it won't help matters and usually she feels wretched later on for losing her temper in the first place. Usually, in a confrontational situation, she first tries to defuse without backing off. Thanks to her social intelligence, she knows that quailing or apologizing to a bully just makes it worse. If she can't return the conversation to a neutral area, she may appeal to whomever she's with for back up or help, or she will try to escape. If the situation is particularly bad, she will try to escape and find help, as opposed to just running away. But whatever she does, she tries not to add gunpowder to the fire. This doesn't mean it always works, but she is aware that trying to be aggressive in return does her no good.

Obviously, her self-image is nothing like the one she projects. Few people have even the slightest impression of what she thinks about herself. And Mitsuko wants it that way. Before, she projected confidence because it made her more of a target to be hesitant and vague. Now her reasoning has evolved; it's because she is a princess. She is their princess, and she thinks that princesses don't worry about geography homework, or doing poorly in the long jump, or having upset her parents by staying out late fighting youma. (Note the "princesses don't worry", not "shouldn't worry".) In short: a princess isn't insecure. So she hides her worries away, and locks them in a little box, quite literally. To help get things off her mind, Mitsuko write them down on scraps of paper and keeps them inside a tiny chest. She doesn't actually deal with her insecurity and anxiety, or any her unpleasant emotions. Insecurity and anxiety are simply the foremost. Mitsuko swallows it all down, trying to sweeten the bitter aftertaste by going shopping with her friends, or eating a few sweet desserts. For better or for worst, it usually works too. She distracts herself easily and with practiced skill.

Despite that she changes her behavior because of her royal status, Mitsuko does not exactly feel the role. She isn't sure she's deserving of being a princess, although she is very grateful to have such dear friends (and retainers). But they are all amazing people, each one has special skills and inner strengths that she is constantly in awe of. Mitsuko hasn't actually had a chance to do what royalty does, so she has no idea if she's suitable or not. She doesn't know if she has the wisdom inside her to make decisions that are right for the people. She knows nothing about making trade agreements, or writing laws. And to intimidate her more, she knows that historically, royalty was raised from birth to learn these skills. Mitsuko has no such training, and it disturbs her. Sometimes, she feels that if she wasn't constantly reminded of her royal status, she would forget all about it. In a way, it is true. If there were no people around her who believed she was the Princess, she certainly would not do as much.

Mitsuko may doubt herself, but she does not doubt her friends. Ever. She trusts them wholly and loves each one without reserve. In a way, she has to, since they guard her life. If she didn't trust them, they wouldn't be able to do their jobs. But for Mitsuko, it really is nothing about exchange or compensation. Each of her friends have utterly charmed her, they are all so strong and so brave. She really cannot believe how lucky she is to know them. She has complete faith in their decisions, and capabilities.

It's no small wonder that someone with Mitsuko's insecurities has survived battles with Metallia, Pharaoh 90, even Chaos. The answer is fairly simple: her friends and her lover. She trusts and depends on them to get her through. And if they die, then she is damn well going to do everything in her power to get them back. Saving the world seems almost trivial to her, paling in comparison to saving her friends. She doesn't want to live in a world without Kyoko or Tamaki; there's no reason for her to save the world if the people she loves aren't in it. (Yes, she is more than a little dependent.) But as Princess, she has a great weight on her shoulders. Knowing she has support and love makes it a lot easier for her to cope with such a burden. After all, she has one of the most powerful objects in the universe in her hands, and she can't just pass it on to someone she feels is more capable. So every moment she spends with her loved ones, it makes all the sorrow and pain worth it.

As someone so emotional and full of trust and hope, it's no surprise that as a dead "spirit", she is bland and dull. She has none of her previous charisma. Mitsuko focuses on what she had, and uses her memories of her friends and lover to pass the time. She regrets not telling them she loved them more, and that she wasn't a better princess. All sentiments she'd had before, but now they consume her days. She doesn't care about the Crisis Senshi's troubles. After all, she doesn't know them. She worries about what she knew, and whom she knew. Without hope, there's little else she can do.


Appearance:
heart bulletFace -- Mitsuko has the classic oval-shaped face, punctuated with charming sapphire eyes. They are almond-shaped with upswept outer corners. The irises are a rich shade of sapphire, almost the perfect complement to her hair. High rounded brows arch over her eyes, giving her face a serene, doll-like expression when she is at rest. Her nose has a button-shape, but is unobtrusive. She has a small mouth, with coral-colored lips. Her jawline is soft but clean, leading to a round chin. When the components of Mitsuko's face are looked at separately, they are, for the most part, not particularly remarkable. Her nose is a little too flat, her mouth too small and lips too thin, her cheekbones are anything but defined. But in combination, particularly with her beautiful eyes, Mitsuko is strikingly attractive. This is in part thanks to symmetry and flawless skin, but also because a face doesn't have to be perfect in every aspect to be beautiful.

heart bulletHair -- Mitsuko's hair is a brilliant shade of honey blonde, rich in depth of color. It's thick, glossy, smooth, and generally the enviable. Not that any bother to consider how much upkeep it is. Particularly because, unstyled, Mitsuko's hair easily brushes backs of her knees. That means it takes a long time to wash and brush her hair. She's good at it, because she's done it for years. She also visits internet communities for women with long hair for tips on caring for her Rapunzel-esque locks. More annoying, it grows fast, requiring fairly frequent trips to the salon. On occasion, she considers chopping it all off and being done with it, but hasn't managed to go through with it. Yet.

As far as styling goes, Mitsuko has gone with a very unique and almost unheard of hairstyle, at least in Japan. It's a variation on a hairstyle once worn by Hopi maidens, known as squashblossom or butterfly whorls. They are similar to ox horns in positioning, but have a different shape. Using a U-shaped tool, she wraps her hair in a figure eight around the bow, tying it off with ribbons and then spreads it to achieve a round, whorl shape. The style usually calls for whorls around 10 cm in diameter, but Mitsuko's are more in the 5 cm range. Obviously this doesn't use up all her hair, the rest hangs loose, to about hip length.

heart bulletBuild -- Despite being a bit on the small side at 155 cm (5'1"), Mitsuko has lucked out on her figure as well. She's slenderly built, with just enough padding in all the right places to avoid sharp elbows, revealing of ribs, or the ever-attractive washboard chest. Her hourglass figure is composed of shallower curves than the body type usually implies, having small breasts over her slim ribcage, a narrow waist and hips that nicely match her upper body. Her legs are her best feature, being shapely and a comfortable length. Her knees aren't too knobbly, and her ankles are slender. Both her hands and feet are petite, adding to her overall doll-like appearance. Being Princess of a dead kingdom is rather hazardous, and Mitsuko has a few pale scars on her limbs and torso.

heart bulletVoice -- Mitsuko's voice is fairly distinct, being soft with slight huskiness to it. She speaks in low, clear tones, making it a little too easy for her to be unheard. Her enunciation is perfect, and she rarely slurs words. This is in part because of her well-educated parents, and in part because she is taken more seriously if she speaks clearly. In truth, Mitsuko probably laughs or giggles more than she actually speaks. She has an inoffensive laugh, at least in public. When in private, she is prone to snorts and other undignified laughs. Her singing voice is in the soprano range, not that she is often asked to sing. She sings slightly off-key, with a little tremble to her notes, a trait some might find endearing but it more likely to be irritating.

heart bulletClothing -- Mitsuko loves, absolutely loves, the "Help, I am drowning in fabric" look that is currently so popular in Japan. And because she is small and slim, in theory she can wear it without looking ridiculous. Her sense of style isn't particularly notable, since she doesn't stand out due to bad or good choices in clothing. Mitsuko keeps her wardrobe fairly up-to-date as well; anytime a new fashion fad comes out she has to at least try it. But she also tends to shop with others, who can help her prevent fashion tragedies.

Her clothes tend to be in the autumnal range; warm purples, reds, oranges, and yellows, with the occasional cooler blue or green. She is fortunate in that she looks good in white, and passable in black, but chooses to wear neither. (Trinny and Susanna would love her in that respect, color on color!) Generally, she layers her clothing, unless it's too hot. She doesn't like patterns on her clothes, preferring an interesting neckline or unique cut. She also tends to wear skirts, and when she does wear pants, usually wears a skirt anyways. (Mitsuko does wear slim leg jeans, unfortunately.) If she is insecure about her height, her footwear doesn't show it. Mitsuko wears a lot of ballet flats, as in almost entirely flats with the occasional .5 cm heel. She likes chunky, "tribal", costume jewelry, since she worries about losing anything using precious stones or metals. As for cosmetics, she prefers to go without or minimally, usually in colored lip gloss and foundation. On special occasions, she'll wear eyeshadow, but still abstains from lipstick and mascara.


History:
Unlike her previous life, Mitsuko's life started in a fairly stock and standard way. She was born to Yoshiro and Wakana Takenouchi in a rather punctual manner. Which is just as well, since no pregnancy had been planned to the degree Mitsuko's was. (Wakana probably knows the EXACT HOUR she conceived Mitsuko. Thankfully she has not shared this information with her child.) Her arrival wasn't exactly welcomed by her older sister, Takako. Then again, at the mature, wise and knowing age of three and a half, Takako would have disapproved of anything cutting in on her time with her parents. Wakana had taken time off from being a professor at a local university in order to care for the children. She wasn't entirely happy about this, being a bit of a feminist, but Yoshiro refused to have his girls spend most of their lives in a day care facility. So Wakana satisfied herself by writing dissertations, for she could do some research at home. Mitsuko and Takako didn't know of this tension between their parents until they were older, and had a happy childhood. By the time Mitsuko was old enough to attend school, Wakana believed Takako was also old enough to baby-sit her. Although, just because Wakana believed it did not mean it was true. Takako had to grow up quickly, becoming the prototypical uber-responsible oldest child. Wakana returned to her work as a professor and researcher of Ainu culture.

But things did not go so easily once Mitsuko started school, for she was having extreme difficulty with her maths. Her teacher had a short temper, which didn't help matters. Even when she asked her teacher for help, she would become exasperated with Mitsuko. She couldn't understand why Mitsuko had trouble with the simplest concepts, especially when she seemed intelligent enough in other areas. Her mother couldn't understand either. Wakana focused on her own success. And so, Mitsuko never got help. She eventually gave up on really trying in math, and thus earned a reputation for barely passing her math classes.

Life was not all math-related misery, for Mitsuko made friends easily and enjoyed a healthy social life. People who got close to her realized she wasn't a blonde ditz, which helped her self-esteem. (Emo-kid Mitsuko would be the most pathetic thing ever. "I can't find enough hair dye to dye my hair black!!") She distracted herself from school with shopping, karaoke and other social activities deemed acceptable for a young Japanese girl. Life went on in a fairly boring way. Wakana's studies started to take her to the Americas, as she studied the migration of early humans. She stayed away from home more and more, which made Mitsuko sad because she did miss her mom. She didn't miss the nagging, however, so it wasn't a total tragedy. Yoshiro became her main caretaker, which is to say he gave her money to buy groceries so she and Takako could cook dinner for him in the evening.

In eighth grade, there was a marked change in her male classmates' attitudes. Some grew more reticent around her, while others went out of their way to be heard by her. Boys she barely knew would ask her out on dates. Love notes occasionally appeared in her locker. Mitsuko was not happy. She had her own ideas of what love was like, and it wasn't like this. What's more, she was self-aware enough that she knew she could easily get into a harmful relationship and not be able to get out. So, she chose to ignore all their proposals and became the school's Ice Queen. It was fair enough, her school friends took some security in knowing their crushes wouldn't be stolen from them. Even so, she still dreads White Day endlessly.

The next year, Takako started university. Her grades were much better than Mitsuko, and so she went to Tokyo University. She moved out of the house, much to her family's dismay, and into her own apartment. Mitsuko missed her sister, and would visit her when Takako's time allowed. The house grew a little emptier, and Mitsuko and her father had to figure out a more reliable chore schedule than "when I feel like it." Misuko discovered that she was quite fine with doing laundry, and cooking dinner in the evening. Yoshiro begrudgingly took up chores like dish washing, as Mitsuko only did that when it got out of control. Wakana was only home two or three months out of the year. She believed she had found evidence that ancestors of the Ainu had migrated to the northern America, particularly in some artifacts and and art styles. Her work called her away often.

Then, Mitsuko found a strange black cat on her way to school. It had been picked on by the local kids, so she skipped school and took the poor thing home. The cat was surprisingly calm as she treated its wounds and fed it. Suspicious, but calm. (Mitsuko eventually divined it was a female cat. Being Mitsuko, she called her "Kuro-chan".) Little Kuro-chan continued to hang around for a while. Some days she would disappear, but she would always come back. Yoshiro didn't mind, since a mouse that was in the attic had suddenly disappeared when Kuro-chan appeared. He was glad that Mitsuko would have company at home as well. But Kuro-chan was not what she appeared to be. One day, she sat on Mitsuko's bed and rubbed her forehead on a handkerchief. A black smudge of soot was removed, revealing a crescent moon. Kuro-chan then began to speak, explaining her name was Luna. She explained further that Mitsuko was really a soldier of justice, Sailor Moon. This made Mitsuko laugh and then try to pinch herself a few times, but Luna got the message through. After that, Mitsuko's life was turned upside down.

With Luna, she found fellow soldiers of justice, known as senshi. She discovered she was princess of a dead kingdom, and found her reincarnated lover. Mitsuko fought many battles as well. Although fighting it alone made a great story, that is not what happened. Mitsuko is the princess, and not suited for being on the front line. When she was given the task of warning another universe of danger, to warn their senshi, she appeared in the dreams of a prophet. Trying to engage her, she told Naoko of her lives, weaving stories. She hoped that each detail would help the prophet believe it was more real. It didn't work.

They defeated Chaos, in time. But only a week later, they had to leave their universe to warn the Crisis Senshi. But they were separated in the inter-dimension jump, and Mitsuko landed alone. Someone had been waiting for her, too. She was killed only minuted after she reached the new dimension.

Current Situation: ...Dead.

 

P A R T III : guardian.


Name: Luna

Appearance:
Luna isn't of any specific breed, other than "short-haired." Although she is black-furred, a Russian Blue would be closest. Her fur is delightfully thick, a double-coat. Which is not fun in the Japanese summers, but at least even on the coldest days she can go out on research work. But she is not all black. On her forehead there is a crescent moon, almost like a scar, as it is hairless. On each paw she has dainty white "socks" (or mittens). Her eyes are a stunning pea green. She is fairly small, around 3 kg (under 7 lbs), making it easy for her to ride around on Mitsuko's shoulder. Overall, she looks very plush and cuddly. Mostly because she is.

Personality:
Luna still feels like a great deal of responsibility rides on her shoulders. She awakened Mitsuko, after all. Even though Akemi and Artemis awakened before her, she believed that she is main caretaker and informant, despite that everyone has remembered the past. Nonetheless, Luna is convinced that her recollection is much better. She's also very serious, and almost never laughs (except at Artemis, poor guy). Fortunately, she's not the nag she used to be. Yes, she still makes a point to remind people of important things, but not ALL THE TIME. She knows Mitsuko does her best as well, and bothers her less than the others.

As for Artemis... Poor Artemis. He's getting nothing out of Luna until the senshi no longer have to fight. She feels that she can't really commit emotionally until she has some time to think without worrying who's trying to kill the Moon Princess lately.

 

P A R T IV : warrior information.


Symbol: Crescent moon with "horns" pointing upwards, so the crescent forms a cup shape. [ Symbol Here ]

Main Color: Pale Silver (#c9c0bb).     

Secondary Color: Lagoon Teal (#0b6e7d).     

Transformation
heart bulletPhrase -- "Moon Crystal Power, Make Up!"

heart bulletSequence -- Mitsuko opens her brooch and the Ginzuishou shines brightly on her face, making her symbol appear on her forehead. Behind her, a crescent moon appears in the sky and the Ginzuishou flashes even brighter. Her clothes fade away like sparkling glass dust on the breeze, and as if to emphasize the point, white rose petals flutter by. The brooch closes and spins by her hand, but does not touch it. Mitsuko moves her hand over her heart and the brooch plants itself snugly between her breasts. The moon waxes to full, and then forms a column of light around her. In a silver firework-like burst of sparkles at her feet, her fuku finally appears. Sailor Moon stands with her heels together, with one hand flat and upturned under her brooch, and with second is extended to her side at at angle. (If she was a Cat Macro, the lettering would say, "I HAS SHINEE.")

heart bulletIntroduction Phrase -- One thing Naoko did get right was Sailor Moon's introduction phrase and pose. She faces the enemy, and points her right hand to the front, while her left hand is pointed to her right, pinkie extended, and then shouts, "On behalf of the moon, I will punish you! I am Sailor Moon!"

Fuku [ Visual ]
heart bulletTiara -- Gold with a silver (marcasite) gemstone at the center.
heart bullet Earrings -- Silver crescent moons on post earrings. There is a line of circles inside the crescents, sized to fit inside the crescent perfectly. [ Earrings Visual ]
heart bullet Choker -- Pale silver with a gold crescent moon at the center.
heart bullet Sailor Collar -- Pale silver with a thin white stripe on the outer edge.
heart bullet Front Bow -- Lagoon teal, with a silver brooch at the center. [ Brooch Visual ]
heart bullet Bodice -- Plain white.
heart bullet Gloves -- Elbow-length gloves with pale silver trim.
heart bullet Skirt -- Pale silver, comes down to about mid-thigh.
heart bullet Back Bow -- Lagoon teal.
Shoes --
Knee-high go-go boots in pale silver with a 1.25 cm sole and 7.5 cm heel. [ Boots Visual ]
heart bullet Mask -- In order to protect her identity as Princess, Sailor Moon also has a mask. It's silvery and semi-flat, not fitted to her face like a typical mask might be, with two points on the outside edges.
heart bullet As a note, the silver fabric in her fuku is not lamé, but cloth of silver. The white parts of her fuku are samite.

Attacks
(She is Sailor Moon, so her attacks have to be sort of bizarrely named. <3)

heart bulletName -- Glittering Moonlight Celebration
heart bulletEffect -- This is Sailor Moon's "Fatality" move (FINISH HIM!!). The attack basically purifies the youma so much, it stops living. It has no evil energy left to make its little cells go "vroom." In order to use this attack, Sailor Moon pirouettes once and her brooch emits tons of glitter. She shouts, "Glittering Moonlight Celebration!" and a tiny beam of light from her brooch pierces the youma through the heart. Then everything goes crazy. Fireworks explode, there's even silver confetti as the youma is purified. When she is done the youma turns to glass and then dust, where it is blown away by the wind.
heart bullet Restrictions -- This attack cannot be used right away and get the youma dust result. It's still powerful, but the enemy has to be weakened in order for it to have the desired effect. (If I were to use numbers, it would need to be at around 30% of its hit points.) On a non-youma target, Celebration's effects are much less devastating. A portion of their energy is purified, weakening their ability to attack. Furthermore, Moon can only use this attack twice at most, and she'll be so exhausted she's sick afterwards if she does use it twice. As a note, if she used this on a good person, all the good energy would be purified out of them. The attack picks the dominant energy. Blocking Celebration is fairly difficult, if you are a youma. Anything of higher strength has a much better chance. Energy is the best bet for a shield. Objects have to be fairly sizable to block well, as in about as big and dense as a car. Avoiding is easier, as it is a linear attack and once she gets going it's hard for her to stop.

heart bulletName -- Perfect Royal Beacon
heart bulletEffect -- Royal Beacon is a beam of light, unsurprisingly. She has two attack modes, flashlight and "frickin' laser beam". Flashlight is underused, but helpful when it's very dark or she's up against a youma that doesn't like light. The beam casts a 150 cm (under 5 ft) radius cone of bright light. Not do bright that it's blinding, but bright enough. She's even able to use it to summon help, as it looks like a searchlight when pointed upwards. Laser beam is used much more often. It produces a laser beam a centimeter in radius. On youma, the beam is capable of burning through a limb (it does depend on the youma), on the people who own the youma? Worse sunburn of your life. It blisters, it burns, it makes your skin flake off. It is totally nasty and gross. This effect is lessened by clothing, fortunately. Except then she just aims for their face. To activate the Royal Beacon, the moon appears behind Sailor Moon, and her tiara gem flashes twice. She raises her hands by her tiara, her thumbs outstretched and fingers crossing to form a rough triangle, with the gem in the triangle opening. Moon shouts, "Perfect Royal Beacon!" and the tiara gem flashes even brighter before forming a beam of light at the enemy.
heart bulletRestrictions -- Royal Beacon can be used twice without harm on laser mode, five times on flashlight mode. It is also a linear attack, as light does not bend without the help of a lot of gravity. It can also be reflected back at her with a mirror, which can be full of suck. Moon does not appreciate sunburns, even if she has Saturn to help her out. Blocking Royal Beacon is a lot easier than Celebration, something as thick as a trash can lid will do the trick. As a very important note, Moon cannot use this attack on the night of a new moon.

heart bulletName -- Radiant Shelter
heart bulletEffect -- Radiant Shelter is an energy shield summoned by the Ginzuishou. It's glowing but transparent, in a dome shape. Importantly, it blocks energy, not objects. Throw a truck at her and she is screwed. It's at least as big as she is, although she can make it bigger if necessary. She usually only needs it for half a minute at most, because of the nature of attacks. In most battles she only summons it for seconds at a time. Because of it's nature, Radiant Shelter can be summoned without much fuss. Moon throws out her arm, palm flat with fingers outstretched and shouts, "Protect me!" The shelter forms, and she's usually safe.
heart bulletRestrictions -- This is Moon's most often needed power, most often used and easiest to use. (Everyone wants to kill her, she doesn't get that.) It's usage per day is measure by total time, as opposed to times used. At best, she has two minutes in her, but most of the time she only has a minute and a half. Breaking the shield is possible, and very painful for Moon. It usually makes her pass out. Using the shield so long that she runs out of "shield time" is also draining, although she doesn't faint. She's just miserable and cranky. Stopping her from using Radiant Shelter is fairly simple: don't allow Moon to extend her arm. Then she can't put up the shield, and if she can't move her arms, chances are she's a sitting duck. 

Weapon: Silver Crystal (Ginzuishou)
The Silver Crystal is a relic from the Silver Millennium, once owned by her mother, Queen Serenity. It has many powers, most of which Sailor Moon doesn't understand. But accessing most of these powers would cost her her life, so she is fine with not knowing. Among things she does know, there's purifying and rejuvenation. (As she used it to bring people back from the dead many times.) It's also capable of forming shields, which can be handy in battle when she wants the senshi to not focus on protecting her.

Unlike it's fancy manga counterpart, the Silver Crystal actually looks like a crystal. It's a clear monocrystal, with a hexagonal structure. Both ends come to pointed tips. At the right angles, the facets reflect silver instead of white.